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Sensor Type
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GEMINI® 15.4 Megapixel Dual Sensitivity CMOS
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Sensor Size
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30.72 mm x 18.00 mm (Diagonal: 35.61 mm)
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Dynamic Range
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16.5+ stops (Both Sensitivities)
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Max Data Rates
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Up to 300 MB/s using RED MINI-MAG® (480GB, 512GB, 960GB & 1TB)
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Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)
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REDCODE® RAW Max Frame Rates1
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75 fps at 5K Full Height 1.7:1 (5120 x 3000)
96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160)
120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728)
150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296)
240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864)
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Playback Frame Rates (Project Time Base)
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23.98, 24, 25, 29.97, 30, 47.95, 48, 50, 59.94, 60 fps, all resolutions
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Best Available REDCODE Settings1
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3:1 REDCODE at 5K Full Height (5120 x 3000) and 24 fps
6:1 REDCODE at 5K Full Height (5120 x 3000) and 60 fps
2:1 REDCODE at 5K Full Format (5120 x 2700) and 24 fps
8:1 REDCODE at 5K Full Format (5120 x 2700) and 96 fps
2:1 REDCODE at 4K Full Format (4096 x 2160) and 24 fps
6:1 REDCODE at 4K Full Format (4096 x 2160) and 120 fps
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REDCODE RAW Acquisition Formats2
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5K Full Height 1.7:1 (5120 x 3000), 6:5 and Ana 2x, 1.3x
5K Full Format (5120 x 2700), 2:1, 2.4:1, 16:9, 4:1, 8:1, and Ana 2x, 1.3x
4K Full Format (4096 x 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
3K Full Format (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
2K Full Format (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
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Apple® ProRes
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ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 30 fps
ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps
ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps
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Avid® Codecs
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DNxHR HQX at 4K (4096 × 2160) 12-bit up to 30 fps
DNxHR HQ and SQ at 4K (4096 × 2160) 8-bit up to 30 fps
DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
DNxHR HQ and SQ at 2K (2048 × 1080) 8-bit up to 120 fps
DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
DNxHD HQ and SQ (1920 × 1080) 8-bit up to 120 fps
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Weight
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3.35 lbs (BRAIN® with Integrated Media Bay)
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Operating Temperature
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0°C to 40°C (32°F to 104°F)
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Storage Temperature
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–20°C to 50°C (–4°F to 122°F)
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Color Management
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Improved in-camera color science
Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs
Variable number of 3D LUT outputs with DSMC2® expander module
User programmable shaper 1D LUTs
Tetrahedral interpolation, 16-bit processing
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Audio
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Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz
Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz
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Remote Control
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Integrated R.C.P.™ WiFi antenna
Ethernet, RS232, and GPI Trigger with DSMC2 expander module
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Monitor Outputs
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3G-SDI (HD-SDI) and HDMI® with DSMC2 expander module
1080p RGB or 4:2:2, 720p RGB or 4:2:2
480p RGB or 4:2:2 (HDMI only)
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
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Monitor Options
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DSMC2 Touch 7.0″ Ultra-Brite LCD (Direct Mount), DSMC2 RED® Touch 4.7″ LCD, DSMC2 RED Touch 7.0″ LCD, and DSMC2 RED EVF (OLED) with cable-free connection.
RED Touch 9.0″ LCD, RED Touch 7.0″ LCD, RED Touch 5.0″ LCD, RED PRO 7″ LCD, DSMC2 Touch 7.0″ Ultra-Brite LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LCD/EVF Adaptor A or DSMC2 LCD/EVF Adaptor D, and LCD/EVF cable.
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REDCINE-X PRO® Delivery Formats
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4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
1080p RGB 4:2:2, 720p 4:2:2 : QuickTime®, JPEG, Avid AAF, MXF
1080p 4:2:0, 720p 4:2:0 : H.264, .MP4
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